For the first time in history, the top two songs on the Billboard Top 200 were by Latinos and were in Spanish.
It happened on May 17, 2025, when Debí Tirar Más Foto by Bad Bunny returned to No. 1 on the Billboard 200 after its vinyl release, while 111XPANTIA by Fuerza Regida debuted at No. 2. According to Billboard, this was the first time in the 69-year history of the chart that two Spanish-language albums by Latin artists simultaneously held the top two positions.
Their listing not only signifies a tectonic shift in music audiences in the US, it also marked the final death of the era of Latinos needing to “whitewash” to get on the Billboard charts.
Debí Tirar Más Foto and 111XPANTIA are not the first Latino- authored/performed songs to make the Billboard 200. That started 60 years ago when Ritchie Valens, born Richard Steven Valenzuela, made it twice with “Dona” and “La Bamba” in 1958-59. Rosie and the Originals hit #5 with “Angel Baby” in 1961 –Rosie was actually Rosalie Mendez Hamlim, but Highland and Brunswick Records forced her to drop the “Mendez and gave a man in the band the songwriting credit – she retrieved it years later in court along with years of royalties.
Ritchie Valens and Rosie Hamlin are joined by Freddy Fender (born Baldemar Huerta), Viki Car, (born Florencia Bisenta de Casillas-Martínez Cardona), and Raquel Welch, (born Jo Raquel Tejada), and Linda Ronstadt, (born Linda Maria Ronstadt), and Selena (born Selena Quintanilla Pérez), to form a quiet mini-lineage of Mexican-American hitmakers who had to “soften” their identities to reach U.S. pop audiences. Although performing under Anglo-friendly names that masked their roots, they still slipped Chicano stories and sensibilities into the mainstream, helping open space for later Mexican-American artists to be heard more fully on their own terms.
But it wasn’t until 2022 that they were able to do that. It was March of that year that full Spanish -name/Spanish language albums made it to the upper reaches of Billboard unsoftened and unmasked when Bad Bunny’s Un Verano Sin Ti and Eslabón Armado’s Nostalgia were in the Billboard 200 top 10 together on the chart.
So what happened between Richie Valens and Bad Bunny that allowed Latin musicians to be listed on Billboard under their real names and, as of May 25, hold the two top positions?
Bad Bunny’s all-Spanish No. 1s didn’t come out of nowhere. The path was opened by the likes of Rosie and Richie, but it was Civil-rights-era visibility, the growth of U.S. Latin radio and charts, and, eventually, the streaming revolution that widened the lane for Spanish-language music. Dedicated Latin formats in the 1970s–1990s meant Spanish no longer had to be a novelty, while the 1990s “Latin boom” and 2000s reggaetón era taught labels how to sell Latin stars at a global scale. In the streaming era, migration audiences and algorithm-driven platforms finally blew up language barriers on the charts, allowing Bad Bunny to stand on that long lineage—Valens, Rosie, Fender, Welch, Selena, Ronstadt, the Latin boom, and reggaetón— and take fully Spanish albums like Un Verano Sin Ti and Debí Tirar Más Fotos not just into the U.S. top 200, but to No. 1 for weeks at a time.
Today, about 18% of music consumers overall in the US are Hispanic, rising to 29% among the Gen-Z generation, according to the RIAA. Bad Bunny had already made history with earlier all-Spanish No. 1s, not to mention the Super Bowl halftime show. Mexican and Mexican-American acts like Peso Pluma and Eslabón Armado had pushed regional Mexican into the mainstream and Billboard charts. And love it or hate it, reggaeton spread the word – or palabra – through the dance clubs. When the streaming platforms came along, a young and increasingly Hispanic/bilingual U.S. audience normalized Spanish in pop playlists
So what happened between Richie Valens and Bad Bunny? A lot of things happened, and they added up to the payoff of years of Latin growth in music, savvy marketing, immigration, and just plain great music. And it all came together on the Billboard 200 on May 25, 2026.
Banner. A very young Richie Valenzuela. Instagram
Patrick O’Heffernan
